Happy New Year!
It’s no secret I’m a big fan of film, but I’m ashamed to admit I slacked off in 2017 & 2018 and shot only a handful of rolls and developed not one. I’m now faced with a stockpile of aging film and chemicals nearing expiration and I need to get busy. I need to shoot more film.
My ambitious plan for 2019 is to select two cameras from my collection as daily shooters and carry them wherever I go, either one or the other, or, if I’m feeling froggy, both, but that might be too ambitious. In case you haven’t already guessed from looking at the header image, I’ve selected the venerable Nikon F3HP and the Mamiya C330.
The Nikon F3HP was an easy choice as it’s easily my favorate camera of all time. I’m upping the ante by using only two prime lenses: 1) a Nikkor 50mm f1.2 (shown attached to the camera), and 2) a Nikkor 35mm f1.4. The use of primes will force me out of my comfort zone and encourage me to get close and intimate with my subjects. I also need to build an image bank using these lenses and this will give me the opportunity.
I’ve owned the Mamiya C330 for some time, but haven’t had a chance to use it. Its 80mm f2.8 Mamiya-Sekor lens is superb for portrait work.
Both of these cameras are hefty. In my very unscientific left-hand-right-hand scale test, the Mamiya feels more than a bit heavier than the Nikon with the MD-4 motordrive attached. My strap of choice in situations like this is the UPstrap Large Mountain ‘Hybrid’ Pad Camera Step/Sling. These are, hands down, the best camera straps on the planet. And no, I am not affiliated with UPstrap. I just like to plug companies that make great products here in the good-ol’ USA.
For film I’ll be using Kodak Tri-X 400, Kodak Porta 400, Kodak Ektar 100, and ADOX 25. I’ll schlep the film and other doodads around in my goto camera bag: a US Army Communications Peg Bag.
The one shown above is a reprodution. I waterproofed the fabric with 3M waterproofing spray and I carry a handful of waterproof pouches for when the weather is particularly nasty and I can’t escape the elements.
I’ll post updates and sample images throughout the year.
Ever faithful, virtually indestructible, I affectionately refer to this camera as “The Tank”. I purchased my first F3HP in the early 1980s and it served as my constant companion during deployments aboard the USS Norfolk (SSN-714), the USS America (CV-66), and the USS LaSalle (AGF-3). Every photograph I made from 1982 through 1994 I did so with a Nikon F3HP.
The Nikon F3, designed by Giorgetto Giugiaro, seduces your eye and instinctively, as if driven by a primordial force, you want to pick it up and hold it in your hands. The F3, more than any other camera I am personally aware of, is so ergonomically well built it gives one a feeling of pure power.
I never remove the camera from the motor winder. Together they form a synergistic one. If two mechanical components were ever meant to forever bond it is the F3 and the MD-4. Even when I don’t need automated film advance the MD-4 still serves as the camera’s power source. And the added heft aids in camera stabilization as well as fending off an attack.
What I like best about the F3HP is its big, bright viewfinder. I like to wear sunglasses when I’m out and about. I can, with the HP viewfinder, see the complete image from nearly an inch away.
I prefer to use an architectural focusing screen with the F3HP. (Focusing screen E) These have grids and no center prism.